Risk
Exhibition 28 November 2019–9 January 2020
Installation photograph from the ‘Risk’ exhibition in A4’s Gallery. On the left, Jane Alexander’s sculpture ‘Security Bird’ sits under a spotlight. On the right, Ulay and Marina Abramović’s performance video ‘Rest Energy’ is projected onto the wall.
Installation view: Risk curated by Josh Ginsburg, November 28, 2019–January 9, 2020. Image courtesy of A4 Arts Foundation.
Title Risk Dates 28 November 2019–9 January 2020 Location Gallery Tagline An exhibition curated by Josh Ginsburg.
Curator Josh Ginsburg
Credits

Artists:
Ulay/Marina Abramović
Igshaan Adams
John Akomfrah
Jane Alexander
Mircea Cantor
Meschac Gaba
Kendell Geers
Pieter Hugo
Ernest Mancoba
Gimberg Nerf
Berni Searle
Lucas Sithole
Carrie Mae Weems

Risk is a show about vulnerability and possibility.
Installation view: Risk curated by Josh Ginsburg, November 28, 2019–January 9, 2020. Image courtesy of A4 Arts Foundation.
Risk
Sara de Beer

Artworks and keywords, Risk curated by Josh Ginsburg, November 28, 2019–January 9, 2020.

Path page
Risk
Sara de Beer
Artworks and keywords, Risk curated by Josh Ginsburg, November 28, 2019–January 9, 2020.
Path page

Document, portrait, confront, travel, suspicion, margin, social-topography, observe, wild.

DIY, market, readymade, faith, museum, exchange, currency, biography, global, convention, nomad.

Time, figure, land-memory, body, vulnerable, beauty, spice, myth, consumption, colonial, absence.
Installation photograph from the ‘Risk’ exhibition in A4’s Gallery. In the middle Igshaan Adams’ untitled fabric installation is suspended from the ceiling with lights partially visible through the fabric.

Ritual, liminal, family, push and pull, mystic, exchange, boundary, quiet, question, belief, home.
An installation photograph shows John Akomfrah’s three-channel video installation ‘Four Nocturnes’ projected onto three large screens.

Historical introspection, archive, environment, Black Audio Film Collective, tension, Anthropocene, persecution, migration, diaspora, Commander of the British Empire, expanded cinema.
Installation photograph from the ‘Risk’ exhibition in A4’s Gallery. In the middle Jane Alexander’s sculpture ‘Security Bird’ stands on a found TNT explosive box.

Residue, white, bones, silence, beast, pity, disfigure, colonial, hybrid, spirit, land, trouble, security, faith.

Art Vital: No fixed living place, permanent movement, direct contact, local relation, self-selection, passing limitations, taking risks, mobile energy.

Ulay

polaroids, co-dependence, gender, performance, participation, audience, patience.

Marina Abramović

body-art, limits, endurance, gender, sacrifice, audience, celebrity, blood, ritual, mind.
A photograph of Lucas Sithole’s bronze sculpture of a mother holding a child.

Head, mythology, being, story, legend, wild, form, preacher, tools, snake, carve, wit.
Installation photograph from the ‘Risk’ exhibition in A4’s Gallery. In the middle, Kendell Geers’ chevron danger tape and found object sculpture ‘Twilight of the Idols’ sits on a plinth.

Exile, fountain, humour, edit, pun, sign, subvert.

Humanity, exile, illusive, Modernism, carve, salvation, delicate, subtle, line, abstract, colour.
Installation photograph from the ‘Risk’ exhibition in A4’s Gallery. On the left, Gimberg Nerf’s mixed media installation ‘Escape to Robin Island’ sits on the floor, tilted by a suspension rope attached to the ceiling.

Escape, mythology, archive, composite, invent, provoke, collaborate, believe.

Readymade, metaphor, conflict, media, language, encounter, hybrid, open.
An installation photograph shows Carrie Mae Weems’ photographic diptych mounted on a white wall.

Question, ritual, protest, core, stir, reverie, focus, power, fabric, grace, absence, trope, mirth, dance.
Header
Close
Text