"I’m looking to capture the patterns of the dung floors, the textures of the clay cladding of huts, the way it cracks, the villages seen from above. An old wall can appear like an abstract painting, revealing different layers of past and present paint." 
– Asemahle Ntlonti

Marking the end of Parallel Play v.2, Kyle Morland and Asemahle Ntlonti join invited practitioners in conversation to reflect on the artists' time in A4's Gallery and their expanded practices.