How we listen determines what we hear

Event
15 August 2019
1st Floor
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A4
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       Arts Foundation / Projects


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A closing event for Sounding the Void, Imaging the Orchestra V.1


A conversation between Curator of Sounding the Void, Imaging the Orchestra V.1 Bhavisha Panchia and A4's director Josh Ginsburg marks the end of the exhibition. Panchia reflects on her research into sound and listening, the vinyl as a curatorial site, as well as the politics of existing sound archives on the continent. The conversation engages with the ephemeral qualities and material evidence of sound. A listening session comprised of tracks chosen from the collection of 'Nothing to Commit Records' brings the exhibition to a close.

Playlist
1. Andrew Pekler, Tristes Tropiques, Cool Symmetries / Ascending Vortices
2. What is left of what had left, Lamin Fofana, Lampedusa
3. Chino Amobi, Airport Music for Black Folk, Berlin
4. Robin Rhode, Variants, Military Chair
5. Robin Rhode, Variants, Piano Chair
6. UCHRONIA, Field recording from alternate realities, Digital sampler, rhythm variation
7. UCHRONIA, Field recording from alternate realities, Bambara affirmations, relaxation cassette
8. Music from Saharan Cellphones Vol. 1,  Group Anmataff - Tinariwen
9. HAMA, Houmeissa, Touareg
10. HAMA, Houmeissa, Terroir
11. Xuxa Santamaria, ChuCha Santamaria y Usted, Fiebre Tropical
12. Xuxa Santamaria, ChuCha Santamaria y Usted, Miami Lakes
13. 1115: Post Europe, Gloom
14. 1115: Post Europe, Calais 90210

Credits

Coordinator:
Nisha von Carnap


Links

︎ Sounding the Void, Imaging the Orchestra V.1

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